|
The
small,
sacred
building
is
imposing
even at
first
glance;
its
vaguely
Gothic
lines,
so rare
for
Feltre,
are
announced
by the
pointed
portal
crowned
with a
fine
sculpted
relief
showing
the
image of
the
Trinity. |
 |
|
The
paintings
on the
wall of
the
apse,
with the
portrayal
of the
Trinity,
of
Saints
Victor
and
Corona
and the
Annunciation,
are
attributed
to the
Maestro
dei
Battuti
di
Serravalle,
who
worked
in the
first
half of
the 15th
Century,
while
the
scenes
of the
Last
Judgement,
the
Dormitio
Virginis
and the
Deposition
of
Christ
in the
Tomb
are the
work of
an
unknown
artist
of North
European
training. |
